![]() The new SampleTank 4 has been re-designed from the ground up to be every musician’s “go to” workstation for music creation, with a completely new rescalable interface, a massively expanded sample library and a new cutting-edge sound engine with efficient disk streaming, to deliver more powerful music creation tools than you ever imagined. It's a lot more expensive than a half-price upgrade to ST4, but Omnisphere, the expansions that are continually being released for it, and the fact that it's a synthesizer, are more in tune with my specific needs.Your new fast-track to world-class tracks At 260 GB, I'd no doubt find every sound I'd want for my pop productions, but at the cost of filling my hard drive up with 259 GB of samples I'd never use. This is why I have not upgraded to ST4 Max. I own a lot of deeply-sampled, dedicated libraries for horns, guitars, orchestral, ethnic, and other acoustic instruments, so it's very unlikely I'd use SampleTank or any other all-in-one library for those purposes. It's for that reason that a SampleTank Max library is like the Omnisphere of romplers. Sometimes I just need a certain sound, and SampleTank will have it. It always finds its way into all of my pop-oriented productions, often working alongside various soft synths. I have SampleTank 2.5 XL (which I guess is the equivalent of "ST2 Max") which I play through the ST3 engine.
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